A brilliant motif of doubles and dancers weaved all through this story in long dissolves. Even while considering the wretched corners of the human psyche that Alfred Hitchcock has so frequently probed all through his career, perhaps this is his most disturbing – a twisted portrait of two Charlies, uncle and niece, locked in a secret seeping with subtext of incest, grooming, and sexual abuse. “The same blood flows through our veins Charlie,” murmurs Uncle Charles to his niece, their inseparable connection drawn right down to their parallel names. It is an image of duelling doubles, male and female, each of whom perform mirrored movements in perfect synchronicity, and yet serve no narrative purpose other than underscoring that darkly fated relationship at the centre of Shadow of a Doubt. As the movie came out during WWII, it seems to have a direct parallel to the evil leaders loose in the world, particularly in the film's final scene.In this story of serial killers and sinister secrets, there is an eerie motif of ballroom dancers twirling and waltzing in tight formations that Alfred Hitchcock frequently cuts to in the midst of thrilling developments. The second half, including the increasing revelation of Uncle Charlie's dark views of humanity and the lengths to which he will go to protect himself, is what make the film so sinister. On the other hand, there is a real small town feeling to this setting, helped in no doubt by Thornton Wilder being one of the screenwriters, and the characters of Charlie's father (Henry Travers) and his friend (Hume Cronyn) passing the time by talking about the perfect murder are absolutely priceless.
Some of the tension is also missing because we're pretty darn sure Uncle Charlie is guilty. I considered a slightly higher rating, but thought the pace in the first half of the movie was a little slow. Trouble is just behind him though, and it gets worse when his niece (also 'Charlie', named after him, and played by Teresa Wright) begins to suspect him of being the "Merry Widow Murderer". Uncle Charlie (Joseph Cotten) is on the run from the law on the East Coast, and he settles in with his sister and her family in Santa Rosa. Hitchcock said this was his favorite film, and there is a quiet evil about it that makes it truly horrifying.
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